CONTAINMENT
These photographs are built around an intentional definition of space.
The frame comes first. Boundaries, surfaces, and limits are set deliberately, and whatever enters the image—people, light, water, vegetation—operates within those terms. The subject is never isolated from its surroundings; it is shaped by them, pressed against them, or briefly passing through.
Containment is not about control or confinement. It is about deciding where the edges are, and watching what happens inside them.
How often do we notice the frame before what it contains?
These images succeed or fail by how their edges are set. Through the viewfinder, space is defined first, and the subject is forced to negotiate that definition. What appears inside the frame is contingent—shaped by limits that are already in place.