SUBMERGED
These photographs are made by simply looking through water.
Water acts as another lens—softening edges, bending light, and collapsing surface and depth into the same frame. What appears is partially revealed and partially obscured, never fully fixed. The image is shaped as much by refraction, reflection, and movement as by whatever lies beneath.
The work isn’t about what the water contains, but about how water changes what can be seen
How often do we trust what we think we see?
Looking through water means accepting uncertainty. Edges dissolve, depth compresses, and the image shifts with every movement. The surface intervenes. The image responds.